A devised work by Kate Hunter and Emilie Collyer, Maybe We’re Never Together, was a chance to continue my exploration of creating simple clear design that can help shape this work that oscialted between the real life and the surreal.
Collect was the first dance work, I have designed since graduating from VCA and I really enjoyed working on it. Working with the space full of natural light, the subtle lighting design was an improvisation that responded to the spaces and the dancers and was operated from 6 different points around the space. Creating an improvised design that can directly respond to the each performance is something that I have been exploring in my La Mama Explorations earlier this year and it was interesting to add a physical element to the operation of the lights.
Through this mode of the operation I was able to create a heightened awareness of the role of lighting as element in the space; both for my self as the operator and for the audience. At times I was very self conscious about being seen and moving around behind the audience, this in turn affected the design during each performance. I think for the audience however, rather then being an annoyance, this form of operation has the potential to included the making of lighting within the dance. It adds a human element to the making of a design that can respond to the work in a way a programed design can’t. I’m not sure I fully got over my shyness of being so exposed but I did have quite lot of fun doing it and it is something I am looking forward to exploring further in 2012.